In the nearly two centuries since Daguerre's classic 1838 Parisian street scene, exposed for several minutes, miraculously capturing two men who stayed still long enough to show up on the negative, attitudes towards street photography, photographing in public, and the possibility of the medium—digital or not—to achieve any sense of objective truth have changed continuously. And the debates have been contentious. For years, many traditionalists treated the genre with a rigid sense of rules prescribed by street-photo-godfather Henri Cartier-Bresson. (read more at Vice)
X-crossing in Guomao.
Beijing Subway. We are more alike my friends than we are unlike.
Nawam Maha Perahera, 2016.
Procissão budista em Colombo organizada pelo Templo Gagaramaya, desde 1979, por ocasião do Poya Day de fevereiro.